

In Westeros, as in our world, momentous decisions often reverberate in unexpected directions and lead to unanticipated conflict. The council, a comparatively democratic body during these feudal times, is intended to put such questions of succession to rest.

#The court jester cast series
When the series begins, a great council of the aristocracy is convened to select Old King Jaehaerys Targaryen’s grandson Viserys (Paddy Considine) over his older female cousin, Rhaenys (Eve Best), as heir to the throne, on explicitly patriarchal grounds. The Iron Throne itself may have been enhanced by hundreds more melted-down blades, but this is very much the same Westeros we’ve already occupied for eight seasons. In addition, the setting of King’s Landing and its royal seat, the Red Keep, are virtually identical to the versions we’ve seen previously, as are the various noble houses’ symbols or “sigils” and even their hairstyles. But Sapochnik, the other showrunner, directed several of the most memorable “Thrones” episodes, including “ Hardhome,” “ Battle of the Bastards” and “ The Bells.” The composer Ramin Djawadi returns, as do unmistakable elements of his “Thrones” theme music.


Steve Toussaint, the actor who plays him, does better on land. The Sea Snake : Lord Corlys Velaryon, one of the most powerful people in the Seven Kingdoms, is a fearless sailor.101 minutes.Return to Westeros in ‘House of the Dragon’ HBO’s long-awaited “Game of Thrones” prequel series is here. With Mildred Natwick (good witch ‘Griselda’), Robert Middleton (offended ‘Sir Griswold’), Herbert Rudley, Michael Pate (conspiring ‘Sir Locksley’), John Carradine, Alan Napier, Larry Pennell (debut). Rathbone has fun sending up the many devious sword-wielding aristocrats he’d played for 20 years. Kaye’s rapid-fire delivery of the tongue-twisting lyrics, gift for language-mimicking gibberish and nimble footwork are feats of dexterous skill and timing, and fulsome kudos must also go to Hermine’s Midgets and The Jackson Michigan Zouave Drill Team for adding wackiness to spare.
#The court jester cast full
Written, produced and directed by Melvin Frank & Norman Panama, who’d scripted White Christmas (for Danny & Bing) as well as doing triple duty on another popular Kaye picture in ’54, Knock On Wood. They joust home runs in each category here the witty screenplay a flagon full of complex comic situations, the direction keeping the pace at a knightly gallop, the production awash in sparkling color showcasing Edith Head’s flamboyant costume design and Hal Pereira’s art direction.ĭelightfully clever song & dance numbers-penned by Sammy Cahn and Sylvia Fine (Kaye’s wife), scored by Vic Schoen and Walter Scharf, choreographed by James Starbuck-include “The Maladjusted Jester”, “Life Could Not Better Be” and “Outfox The Fix”. “ The pellet with the poison’s in the vessel with the pestle the chalice from the palace has the brew that is true!” Hubert impersonates ‘Giacomo’, a fabled jester, hoping he and the comely Jean can hold the fort (er, castle) until The Fox arrives with his men. Roderick’s right arm is deceptive scoundrel ‘Lord Ravenhurst’ (Basil Rathbone), plotting for more power, while Roderick’s princess daughter ‘Gwendolyn’ (Angela Lansbury) pines for a mate of her own choosing. Among the loyal rabble are amiable minstrel ‘Hubert Hawkins’ (Kaye) and bewitching ‘Maid Jean’ (Johns). They intend to bring the true king, an infant, to take the rightful throne. In Olde England, usurper ‘King Roderick’ (Cecil Parker) fears the rebels led by ‘The Black Fox’. We jest you not: a ravishing Glynis Johns in VistaVision and Technicolor is enough to flutter this peasant’s heart. Even so, coming on the heels of Kayes smash White Christmas, the mild public response is puzzling, considering how very funny it is, start to finish. Though it made $6,300,000, posting 47th for the year, it was not ‘true brew’ against a princely $4,000,000 production tag, at the time the most ever lavished on a comedy. THE COURT JESTER, Danny Kaye’s best and best-remembered comedy is regarded as a classic today, but for whatever reasons was a surprising flop in 1956.
